China History
Halal Travel Guide: Hui Muslim Paintings from the 1980s
Articles • ali2007fr posted the article • 0 comments • 8 views • 23 hours ago
Reposted from the web
Summary: A 1985 book of Hui Muslim calligraphy and painting offers a rare look at how Muslim life in China was drawn and remembered in the 1980s. This account keeps the artist names, artwork notes, and image order from the original post.
Yesterday at the China Bookstore in Dengshikou, Beijing, I found a copy of the 1985 book Collection of Chinese Muslim Calligraphy and Painting. I want to share some of the works from it with you.
The Holy Prophet's Horse (Zhisheng Xianma) was painted by Yang Zhaosan, a Hui Muslim from Lingyuan, Liaoning. He was the deputy editor-in-chief of the China Environment News.
The Prophet's Cave of Refuge (Musheng Binandong) was painted by Ma Zhaoren, a Hui Muslim from Beijing. He was an art designer at the Beijing Film Studio.
Friday Sermon (Zhuma Ri Xuanjiang) was painted by Ma Fanghua, a Hui Muslim from Lanzhou. She was an art editor for the Feitian monthly magazine at the Gansu Federation of Literary and Art Circles.
Niujie Mosque (Niujie Libaisi) was painted by Wu Biduan, a Hui Muslim from Nanjing. He was a professor and the head of the Printmaking Department at the Central Academy of Fine Arts.
Tongxin Mosque (Tongxin Qingzhensi) was painted by Ma Ying, a Hui Muslim from Tongxin, Ningxia. He was the director of the Tongxin County Cultural Center.
Lanzhou Floating Mosque (Lanzhou Shuishang Qingzhensi) was painted by Gao Zhiguo, a Hui Muslim from Lanzhou. He was a worker at the Gansu 3512 Factory.
Springtime at Niujie (Niujie Chunguang) was painted by Wang Daguan, a Hui Muslim from Beijing. He was an executive director of the China Railway Literary Association.
New Look of Shadian (Shadian Xinmao) was painted by Yan Fu, a specially invited painter for the Cultural Group of the Yunnan Provincial Committee of the CPPCC.
Visiting the Market (Guang Jishi) and Peace (Heping) were painted by Cheng Lian'ou, a Hui Muslim from Xinjiang, Shanxi. He was a labor union official at the Lanzhou Electric Power Repair and Manufacturing Plant.
Light Reflecting the Galaxy, Spirit Soaring to the Heavens (Guang Ying Xinghe Qi Chong Xiaohan) was painted by Sun Jingxiu, a professor at the Shandong University of Arts. view all
Summary: A 1985 book of Hui Muslim calligraphy and painting offers a rare look at how Muslim life in China was drawn and remembered in the 1980s. This account keeps the artist names, artwork notes, and image order from the original post.
Yesterday at the China Bookstore in Dengshikou, Beijing, I found a copy of the 1985 book Collection of Chinese Muslim Calligraphy and Painting. I want to share some of the works from it with you.
The Holy Prophet's Horse (Zhisheng Xianma) was painted by Yang Zhaosan, a Hui Muslim from Lingyuan, Liaoning. He was the deputy editor-in-chief of the China Environment News.
The Prophet's Cave of Refuge (Musheng Binandong) was painted by Ma Zhaoren, a Hui Muslim from Beijing. He was an art designer at the Beijing Film Studio.
Friday Sermon (Zhuma Ri Xuanjiang) was painted by Ma Fanghua, a Hui Muslim from Lanzhou. She was an art editor for the Feitian monthly magazine at the Gansu Federation of Literary and Art Circles.
Niujie Mosque (Niujie Libaisi) was painted by Wu Biduan, a Hui Muslim from Nanjing. He was a professor and the head of the Printmaking Department at the Central Academy of Fine Arts.
Tongxin Mosque (Tongxin Qingzhensi) was painted by Ma Ying, a Hui Muslim from Tongxin, Ningxia. He was the director of the Tongxin County Cultural Center.
Lanzhou Floating Mosque (Lanzhou Shuishang Qingzhensi) was painted by Gao Zhiguo, a Hui Muslim from Lanzhou. He was a worker at the Gansu 3512 Factory.
Springtime at Niujie (Niujie Chunguang) was painted by Wang Daguan, a Hui Muslim from Beijing. He was an executive director of the China Railway Literary Association.
New Look of Shadian (Shadian Xinmao) was painted by Yan Fu, a specially invited painter for the Cultural Group of the Yunnan Provincial Committee of the CPPCC.
Visiting the Market (Guang Jishi) and Peace (Heping) were painted by Cheng Lian'ou, a Hui Muslim from Xinjiang, Shanxi. He was a labor union official at the Lanzhou Electric Power Repair and Manufacturing Plant.
Light Reflecting the Galaxy, Spirit Soaring to the Heavens (Guang Ying Xinghe Qi Chong Xiaohan) was painted by Sun Jingxiu, a professor at the Shandong University of Arts. view all
Reposted from the web
Summary: A 1985 book of Hui Muslim calligraphy and painting offers a rare look at how Muslim life in China was drawn and remembered in the 1980s. This account keeps the artist names, artwork notes, and image order from the original post.
Yesterday at the China Bookstore in Dengshikou, Beijing, I found a copy of the 1985 book Collection of Chinese Muslim Calligraphy and Painting. I want to share some of the works from it with you.
The Holy Prophet's Horse (Zhisheng Xianma) was painted by Yang Zhaosan, a Hui Muslim from Lingyuan, Liaoning. He was the deputy editor-in-chief of the China Environment News.
The Prophet's Cave of Refuge (Musheng Binandong) was painted by Ma Zhaoren, a Hui Muslim from Beijing. He was an art designer at the Beijing Film Studio.
Friday Sermon (Zhuma Ri Xuanjiang) was painted by Ma Fanghua, a Hui Muslim from Lanzhou. She was an art editor for the Feitian monthly magazine at the Gansu Federation of Literary and Art Circles.
Niujie Mosque (Niujie Libaisi) was painted by Wu Biduan, a Hui Muslim from Nanjing. He was a professor and the head of the Printmaking Department at the Central Academy of Fine Arts.
Tongxin Mosque (Tongxin Qingzhensi) was painted by Ma Ying, a Hui Muslim from Tongxin, Ningxia. He was the director of the Tongxin County Cultural Center.
Lanzhou Floating Mosque (Lanzhou Shuishang Qingzhensi) was painted by Gao Zhiguo, a Hui Muslim from Lanzhou. He was a worker at the Gansu 3512 Factory.
Springtime at Niujie (Niujie Chunguang) was painted by Wang Daguan, a Hui Muslim from Beijing. He was an executive director of the China Railway Literary Association.
New Look of Shadian (Shadian Xinmao) was painted by Yan Fu, a specially invited painter for the Cultural Group of the Yunnan Provincial Committee of the CPPCC.
Visiting the Market (Guang Jishi) and Peace (Heping) were painted by Cheng Lian'ou, a Hui Muslim from Xinjiang, Shanxi. He was a labor union official at the Lanzhou Electric Power Repair and Manufacturing Plant.
Light Reflecting the Galaxy, Spirit Soaring to the Heavens (Guang Ying Xinghe Qi Chong Xiaohan) was painted by Sun Jingxiu, a professor at the Shandong University of Arts.
Summary: A 1985 book of Hui Muslim calligraphy and painting offers a rare look at how Muslim life in China was drawn and remembered in the 1980s. This account keeps the artist names, artwork notes, and image order from the original post.
Yesterday at the China Bookstore in Dengshikou, Beijing, I found a copy of the 1985 book Collection of Chinese Muslim Calligraphy and Painting. I want to share some of the works from it with you.
The Holy Prophet's Horse (Zhisheng Xianma) was painted by Yang Zhaosan, a Hui Muslim from Lingyuan, Liaoning. He was the deputy editor-in-chief of the China Environment News.
The Prophet's Cave of Refuge (Musheng Binandong) was painted by Ma Zhaoren, a Hui Muslim from Beijing. He was an art designer at the Beijing Film Studio.
Friday Sermon (Zhuma Ri Xuanjiang) was painted by Ma Fanghua, a Hui Muslim from Lanzhou. She was an art editor for the Feitian monthly magazine at the Gansu Federation of Literary and Art Circles.
Niujie Mosque (Niujie Libaisi) was painted by Wu Biduan, a Hui Muslim from Nanjing. He was a professor and the head of the Printmaking Department at the Central Academy of Fine Arts.
Tongxin Mosque (Tongxin Qingzhensi) was painted by Ma Ying, a Hui Muslim from Tongxin, Ningxia. He was the director of the Tongxin County Cultural Center.
Lanzhou Floating Mosque (Lanzhou Shuishang Qingzhensi) was painted by Gao Zhiguo, a Hui Muslim from Lanzhou. He was a worker at the Gansu 3512 Factory.
Springtime at Niujie (Niujie Chunguang) was painted by Wang Daguan, a Hui Muslim from Beijing. He was an executive director of the China Railway Literary Association.
New Look of Shadian (Shadian Xinmao) was painted by Yan Fu, a specially invited painter for the Cultural Group of the Yunnan Provincial Committee of the CPPCC.
Visiting the Market (Guang Jishi) and Peace (Heping) were painted by Cheng Lian'ou, a Hui Muslim from Xinjiang, Shanxi. He was a labor union official at the Lanzhou Electric Power Repair and Manufacturing Plant.
Light Reflecting the Galaxy, Spirit Soaring to the Heavens (Guang Ying Xinghe Qi Chong Xiaohan) was painted by Sun Jingxiu, a professor at the Shandong University of Arts.
Halal Travel Guide: Hui Muslim Paintings from the 1980s
Articles • ali2007fr posted the article • 0 comments • 8 views • 23 hours ago
Reposted from the web
Summary: A 1985 book of Hui Muslim calligraphy and painting offers a rare look at how Muslim life in China was drawn and remembered in the 1980s. This account keeps the artist names, artwork notes, and image order from the original post.
Yesterday at the China Bookstore in Dengshikou, Beijing, I found a copy of the 1985 book Collection of Chinese Muslim Calligraphy and Painting. I want to share some of the works from it with you.
The Holy Prophet's Horse (Zhisheng Xianma) was painted by Yang Zhaosan, a Hui Muslim from Lingyuan, Liaoning. He was the deputy editor-in-chief of the China Environment News.
The Prophet's Cave of Refuge (Musheng Binandong) was painted by Ma Zhaoren, a Hui Muslim from Beijing. He was an art designer at the Beijing Film Studio.
Friday Sermon (Zhuma Ri Xuanjiang) was painted by Ma Fanghua, a Hui Muslim from Lanzhou. She was an art editor for the Feitian monthly magazine at the Gansu Federation of Literary and Art Circles.
Niujie Mosque (Niujie Libaisi) was painted by Wu Biduan, a Hui Muslim from Nanjing. He was a professor and the head of the Printmaking Department at the Central Academy of Fine Arts.
Tongxin Mosque (Tongxin Qingzhensi) was painted by Ma Ying, a Hui Muslim from Tongxin, Ningxia. He was the director of the Tongxin County Cultural Center.
Lanzhou Floating Mosque (Lanzhou Shuishang Qingzhensi) was painted by Gao Zhiguo, a Hui Muslim from Lanzhou. He was a worker at the Gansu 3512 Factory.
Springtime at Niujie (Niujie Chunguang) was painted by Wang Daguan, a Hui Muslim from Beijing. He was an executive director of the China Railway Literary Association.
New Look of Shadian (Shadian Xinmao) was painted by Yan Fu, a specially invited painter for the Cultural Group of the Yunnan Provincial Committee of the CPPCC.
Visiting the Market (Guang Jishi) and Peace (Heping) were painted by Cheng Lian'ou, a Hui Muslim from Xinjiang, Shanxi. He was a labor union official at the Lanzhou Electric Power Repair and Manufacturing Plant.
Light Reflecting the Galaxy, Spirit Soaring to the Heavens (Guang Ying Xinghe Qi Chong Xiaohan) was painted by Sun Jingxiu, a professor at the Shandong University of Arts. view all
Summary: A 1985 book of Hui Muslim calligraphy and painting offers a rare look at how Muslim life in China was drawn and remembered in the 1980s. This account keeps the artist names, artwork notes, and image order from the original post.
Yesterday at the China Bookstore in Dengshikou, Beijing, I found a copy of the 1985 book Collection of Chinese Muslim Calligraphy and Painting. I want to share some of the works from it with you.
The Holy Prophet's Horse (Zhisheng Xianma) was painted by Yang Zhaosan, a Hui Muslim from Lingyuan, Liaoning. He was the deputy editor-in-chief of the China Environment News.
The Prophet's Cave of Refuge (Musheng Binandong) was painted by Ma Zhaoren, a Hui Muslim from Beijing. He was an art designer at the Beijing Film Studio.
Friday Sermon (Zhuma Ri Xuanjiang) was painted by Ma Fanghua, a Hui Muslim from Lanzhou. She was an art editor for the Feitian monthly magazine at the Gansu Federation of Literary and Art Circles.
Niujie Mosque (Niujie Libaisi) was painted by Wu Biduan, a Hui Muslim from Nanjing. He was a professor and the head of the Printmaking Department at the Central Academy of Fine Arts.
Tongxin Mosque (Tongxin Qingzhensi) was painted by Ma Ying, a Hui Muslim from Tongxin, Ningxia. He was the director of the Tongxin County Cultural Center.
Lanzhou Floating Mosque (Lanzhou Shuishang Qingzhensi) was painted by Gao Zhiguo, a Hui Muslim from Lanzhou. He was a worker at the Gansu 3512 Factory.
Springtime at Niujie (Niujie Chunguang) was painted by Wang Daguan, a Hui Muslim from Beijing. He was an executive director of the China Railway Literary Association.
New Look of Shadian (Shadian Xinmao) was painted by Yan Fu, a specially invited painter for the Cultural Group of the Yunnan Provincial Committee of the CPPCC.
Visiting the Market (Guang Jishi) and Peace (Heping) were painted by Cheng Lian'ou, a Hui Muslim from Xinjiang, Shanxi. He was a labor union official at the Lanzhou Electric Power Repair and Manufacturing Plant.
Light Reflecting the Galaxy, Spirit Soaring to the Heavens (Guang Ying Xinghe Qi Chong Xiaohan) was painted by Sun Jingxiu, a professor at the Shandong University of Arts. view all
Reposted from the web
Summary: A 1985 book of Hui Muslim calligraphy and painting offers a rare look at how Muslim life in China was drawn and remembered in the 1980s. This account keeps the artist names, artwork notes, and image order from the original post.
Yesterday at the China Bookstore in Dengshikou, Beijing, I found a copy of the 1985 book Collection of Chinese Muslim Calligraphy and Painting. I want to share some of the works from it with you.
The Holy Prophet's Horse (Zhisheng Xianma) was painted by Yang Zhaosan, a Hui Muslim from Lingyuan, Liaoning. He was the deputy editor-in-chief of the China Environment News.
The Prophet's Cave of Refuge (Musheng Binandong) was painted by Ma Zhaoren, a Hui Muslim from Beijing. He was an art designer at the Beijing Film Studio.
Friday Sermon (Zhuma Ri Xuanjiang) was painted by Ma Fanghua, a Hui Muslim from Lanzhou. She was an art editor for the Feitian monthly magazine at the Gansu Federation of Literary and Art Circles.
Niujie Mosque (Niujie Libaisi) was painted by Wu Biduan, a Hui Muslim from Nanjing. He was a professor and the head of the Printmaking Department at the Central Academy of Fine Arts.
Tongxin Mosque (Tongxin Qingzhensi) was painted by Ma Ying, a Hui Muslim from Tongxin, Ningxia. He was the director of the Tongxin County Cultural Center.
Lanzhou Floating Mosque (Lanzhou Shuishang Qingzhensi) was painted by Gao Zhiguo, a Hui Muslim from Lanzhou. He was a worker at the Gansu 3512 Factory.
Springtime at Niujie (Niujie Chunguang) was painted by Wang Daguan, a Hui Muslim from Beijing. He was an executive director of the China Railway Literary Association.
New Look of Shadian (Shadian Xinmao) was painted by Yan Fu, a specially invited painter for the Cultural Group of the Yunnan Provincial Committee of the CPPCC.
Visiting the Market (Guang Jishi) and Peace (Heping) were painted by Cheng Lian'ou, a Hui Muslim from Xinjiang, Shanxi. He was a labor union official at the Lanzhou Electric Power Repair and Manufacturing Plant.
Light Reflecting the Galaxy, Spirit Soaring to the Heavens (Guang Ying Xinghe Qi Chong Xiaohan) was painted by Sun Jingxiu, a professor at the Shandong University of Arts.
Summary: A 1985 book of Hui Muslim calligraphy and painting offers a rare look at how Muslim life in China was drawn and remembered in the 1980s. This account keeps the artist names, artwork notes, and image order from the original post.
Yesterday at the China Bookstore in Dengshikou, Beijing, I found a copy of the 1985 book Collection of Chinese Muslim Calligraphy and Painting. I want to share some of the works from it with you.
The Holy Prophet's Horse (Zhisheng Xianma) was painted by Yang Zhaosan, a Hui Muslim from Lingyuan, Liaoning. He was the deputy editor-in-chief of the China Environment News.
The Prophet's Cave of Refuge (Musheng Binandong) was painted by Ma Zhaoren, a Hui Muslim from Beijing. He was an art designer at the Beijing Film Studio.
Friday Sermon (Zhuma Ri Xuanjiang) was painted by Ma Fanghua, a Hui Muslim from Lanzhou. She was an art editor for the Feitian monthly magazine at the Gansu Federation of Literary and Art Circles.
Niujie Mosque (Niujie Libaisi) was painted by Wu Biduan, a Hui Muslim from Nanjing. He was a professor and the head of the Printmaking Department at the Central Academy of Fine Arts.
Tongxin Mosque (Tongxin Qingzhensi) was painted by Ma Ying, a Hui Muslim from Tongxin, Ningxia. He was the director of the Tongxin County Cultural Center.
Lanzhou Floating Mosque (Lanzhou Shuishang Qingzhensi) was painted by Gao Zhiguo, a Hui Muslim from Lanzhou. He was a worker at the Gansu 3512 Factory.
Springtime at Niujie (Niujie Chunguang) was painted by Wang Daguan, a Hui Muslim from Beijing. He was an executive director of the China Railway Literary Association.
New Look of Shadian (Shadian Xinmao) was painted by Yan Fu, a specially invited painter for the Cultural Group of the Yunnan Provincial Committee of the CPPCC.
Visiting the Market (Guang Jishi) and Peace (Heping) were painted by Cheng Lian'ou, a Hui Muslim from Xinjiang, Shanxi. He was a labor union official at the Lanzhou Electric Power Repair and Manufacturing Plant.
Light Reflecting the Galaxy, Spirit Soaring to the Heavens (Guang Ying Xinghe Qi Chong Xiaohan) was painted by Sun Jingxiu, a professor at the Shandong University of Arts.